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How To Take A Double Exposure Film

How To Take A Double Exposure Film. In film photography, a double exposure is a combination of two exposures in one image to produce evocative results. How do i take a double exposure?

How To Tips and Tricks for Double Exposures on Film
How To Tips and Tricks for Double Exposures on Film from briandsmithphotography.com

Usually we want to err on the side of overexposure with film, but with double exposures, we want to underexpose each frame. I hope i can help you take double exposures you love. Then you take another picture over the top of the first picture.

For Example, With A Double Exposure, Let’s Say You Get A Reading Of Your Subject At 1/125 Of Second And At F/4.


The results can be very artsy, eerie, or abstract. The best way to do it is to pull a little extra out of the canister, get the advance lever set, and then rewind in the extra. Years ago, this was done using a film camera and a dark room for developing the images.

Load Your Film As Usual, Then Use A Marker To Line The Start Of The Roll Along The Film Spool’s Mouth.


To achieve a great double exposure, it’s important to get familiar with the process of making one with film photography. It’s kind of ironic because it’s not nearly as easy to do the same thing with a digital camera. There are two main techniques for shooting double exposures with a 35mm slr film camera:

To Get 1 Stop Under The Perfect Exposure, We Can Double The Shutter Speed To 1/250 While Keeping The Aperture Value The Same Or, We Can Instead Close The Aperture To F/5.6 While Maintaining Same The Shutter Speed.


Learn how to do a double exposure, a multi exposure in a canon dslr camera and have fun learning to do multiple exposure portraits! For example, one stop for two exposures, 1.5 stops for three, 2 stops for four. This is how you know you’re in double exposure mode.

In Other Words A Normal Photo’s Exposure = 1.


If you change your mind and no longer want to take a double exposure, you can. If you want to keep your double exposures aligned on the same frame, you should mark the start of the roll before shooting the first pass. These two photos combined should give you the “right” amount of light for a proper exposure!

If Your Camera Has A Multiple Exposure Switch, Engage The Switch And Take Photos To Your Heart’s Content (I Would Start With A Double Exposure Before Going For Something With 3 Or More).


Now you’ll see the number 1 in the display window. Keep trying with the takeup spool rotated to different positions until you get it close. If the images overlap, the exposure for each should be reduced by a factor equal to the number of exposures.

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